Composition Competition Success Stories

Composition Competition Success Stories

Composition Competitions can be daunting, delightful, stressful, playful … it all depends on the competition!   What makes a successful composition competition, and what environments and incentives bring composers back again and again to enter another new piece?

In this article, we will explore some of the positive aspects of composition competitions and hear some real-life stories of composers who have experienced success stories by entering competitions.

I’m a composition teacher whose students have ranged in age from 6 to 76.  I have taught weekly private composition lessons and composition classes at a university.  I’ve been teaching and entering my students into competitions for decades and in recent years have been part of a team who sponsors international composition competitions.  I’ve entered my own music into competitions.  I’ve corresponded with composers from all over the world, and listened to their experiences and feedback.

What have all of us learned from these many years of competitions?

We sent out a survey in 2014 to composers who were entering the Simply Stunning composition competition.  The first question asked them what they would most like to experience in a composition competition, and how important various experiences were to them.  The respondents were of all ages, all levels of experience, and from all over the world.  Some were students, some were professional composers, some were people with “day jobs” who write music for the joy of it.  The responses were quite interesting, and perhaps somewhat unexpected:


This survey, combined with individual comments and responses from other composers and other competitions, lead us to some conclusions:

  •  Many composers aren’t drawn to competitions for the money prizes.
  •  Composers want their pieces to be heard.
  •  Composers want their pieces to be played.
  •  Composers appreciate feedback: from general audiences, from composition teachers and professors, from other composers, and most importantly, from performers.
  •  Entering a competition is a great incentive for finishing a piece!

We also learned from various discussions with composers from all over the world that they were not as interested in winning the competition as they were in having their pieces available for others to hear.  Most composers don’t like entering competitions where their pieces go into a black hole and they never know who else entered or what all the new music sounded like.

We composers are hungry for new music.  It’s very exciting to see what our international colleagues are up to!  We like to meet each other and hear each others music.  We like to get feedback and suggestions that will help make our own music better.  We like to know that people are listening to or playing our music.  We like to feel that new music matters, and that we are part of a community that supports new music.

I Love New Music

Here are some stories of composers who experienced great success, by their terms, in competitions.  Some of them actually won a competition, and others didn’t win at all.  Each of these, folks, however, remember that particular competition for something special they experienced.   Let’s hear some of their stories:

Samantha Strowd – Five Cats, Something Like That

Mike Tauben – Saudabe

Julie Harris – La Premiere

Scroll to Top