Meeting of the Spirits
In Greek mythology, the distinction between heroes and gods is rather thin; so too in the guitar world. The film Meeting of the Spirits makes the point. It features Larry Coryell, Paco De Lucia, and John McLaughlin in concert at the Royal Albert Hall in 1979. Olympian is the appropriate adjective.
Those who associate the acoustic guitar with Peter, Paul, and Mary are in for a surprise: imagine a trio of F-22s engaged in precision maneuvers at multi-Mach speed. Coryell and De Lucia are consummate musicians, but McLaughlin, who is all but nerve-connected to the guitar, his left-hand so fast and economical that it seems not even to move, is something else entirely. During the long title cut—a version of the Mahavishnu Orchestra standard—he seems to enter a trance and channel strange melodies from beyond the realm of logic and reason.
“Meeting of the Spirits”:
It’s a perpetual mystery of market failure that Meeting of the Spirits is readily available on DVD (see Amazon) but not CD. One of my little Bill Gates fantasies is buying up the company—or the copyright—or whatever—and giving this material the deluxe packaging and remastering it deserves. I’d likewise rescue from DVD marginality Stevie Ray Vaughan Live at the El Mocambo.
Meeting of the Spirits was preamble to the McLaughlin-De Lucia-Al Di Meola collaboration captured for posterity on the classic 1980 concert album Friday Night in San Francisco. This concert is equally dazzling in terms of technique, but less soulful and deeply felt. The album contains the crowd-pleasing “Mediterranean Sundance,” which is the “Stairway to Heaven” or “Freebird” of the acoustic guitar realm.